Using a basic movement and a whole dollop of upside-down thinking, it is possible to reinvent the traditional time display into something altogether more inventive. The options are far more limited, the ability to create and explore and develop far more restrained-but it’s possible. To benchmark that, developing a basic, time-only movement, using centuries of knowledge, costs about a million dollars, so you can imagine how much you’d have to spend-and therefore charge-to make something completely out there like an Urwerk.īut there is another way. An abstract case with normal hands and dial is nothing innovative in and of itself, and so the time and effort required to develop a display that reads in a novel way ends up costing some serious wedge. Why are all those crazy watches so expensive? Commonly, because a crazy watch needs a crazy display. That leads us, like frogs in a hot pan, to this, the Blue Planet. It’s a fine line between good nutso and just plain nutso.Īnd so, since 2012, CIGA Design has slowly been warming a growing audience to more and more outlandish designs, subtly introducing concepts-even with the packaging-that sow the seeds of something bigger. You have to earn the right to make nutso watches. But you can’t just shoot right out of the gate, guns blazing. Why should oligarchs have all the fun? And so he founded CIGA Design out of Shenzhen, China, using crowdfunding to make watches that bring to life the idea of affordable eccentricity. Industrial Designer Zhang Jianmin had exactly the same thought. But would it be so hard if, once, just once, a watchmaker found it in their heart to make an affordable, entry-level watch that exhibits some of the limitless thinking of the big boys? We’re talking watches that work better in art galleries than they do on wrists here. Urwerk is never going to flog as many UR 100s as Omega is Speedmasters. Limited runs of wild ideas built to the highest quality aren’t going to come cheap. MB&F, Urwerk, Jacob & Co.-amazing works of unrestrained creativity whose only downside is the astonishing barrier to entry. I get that not everyone loves watches that look like they’ve come straight from the brain of Willy Wonka’s more eccentric watchmaker cousin, but for those who do, for those who like their watchmaking to be as ballistic as an MGM-140, up until now your two choices to get one have been: be rich or be richer. Watch the comments fill up with people who absolutely love unbuttered crusts … Lmplements the concepts of sustainable development in every detail.EDO exclusive logo and theme slogan.Upholding the ideal of “Proud to be part of the World Earth Day Or-ganizationAiming to become a brilliant opportunity for all to practice sustain-able development.Ever looked at watches that cost many hundreds of thousands-if not millions-and been bowled over by just how innovative, interesting and downright nuts they can be? Not necessarily how practical and wearable they are, rather the sheer expression of imagination on show that makes a Rolex Submariner seem as exciting as a slice of unbuttered bread-the crust to be specific. Pliable and fitting, anti-microbial and wear-resisting dial Integrated color and natural texture strap.ĥ. Packaging is made of recyclable materials Starting from this moment, take responsibility for our beautiful home.ģ. Blue Planet - World Earth Day Limited Edition Logo on Bottom CapĮnvironment friendly screen printing, environmental protection on the wrist.Ĥ. World Earth Day Organization Logo Fluororubber Strap The beauty of the planet is presented through the environmentally friendly glue-dropping process. EDO-Protect our Blue earth theme pendantĪ continuation of the "Blue Planet"-themed custom necklace. The case is polished and brushed to present a beautiful glossy texture.Ģ. Reduce carbon pollution, contribute your effort to protect our blue home. The case is made of more expensive and more environmentally friendly recycled titanium material. lt combines the watch and pendant using environmentally friendly decoration.ġ. Recycled titanium eco-friendly reflective case Last 200 pcs available CIGA Design, in collaboration with The Earth Day Organization, has launched this special edition gift box to put environmental protection into action.
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At the end of this course, you will have a firm grasp of Computer Vision techniques using OpenCV libraries. Online Course – OpenCV Python Tutorial For Beginners. Now to check if OpenCV is installed on a machine, run the following commands opt/opencv/release$ cmake -D BUILD_TIFF=ON -D WITH_CUDA=OFF -D ENABLE_AVX=OFF -D WITH_OPENGL=OFF -D WITH_OPENCL=OFF -D WITH_IPP=OFF -D WITH_TBB=ON -D BUILD_TBB=ON -D WITH_EIGEN=OFF -D WITH_V4L=OFF -D WITH_VTK=OFF -D BUILD_TESTS=OFF -D BUILD_PERF_TESTS=OFF -D CMAKE_BUILD_TYPE=RELEASE -D CMAKE_INSTALL_PREFIX=/usr/local -D OPENCV_EXTRA_MODULES_PATH=/opt/opencv_contrib/modules /opt/opencv/ opt$ git clone Step 4 – build and install OpenCV /opt$ cd opencv $ sudo apt-get install libjpeg-dev libpng-dev libtiff5-dev libjasper-dev libdc1394-22-dev libeigen3-dev libtheora-dev libvorbis-dev libxvidcore-dev libx264-dev sphinx-common libtbb-dev yasm libfaac-dev libopencore-amrnb-dev libopencore-amrwb-dev libopenexr-dev libgstreamer-plugins-base1.0-dev libavutil-dev libavfilter-dev libavresample-dev Step 3 – Get OpenCV $ sudo -s $ sudo apt-get install python3.5-dev python3-numpy libtbb2 libtbb-dev $ sudo apt-get upgrade Step 2 – Install dependencies $ sudo apt-get install build-essential cmake git libgtk2.0-dev pkg-config libavcodec-dev libavformat-dev libswscale-dev Step 1 – Updating Ubuntu $ sudo apt-get update OpenCV is Available on Mac, Windows, Linux (Terminal environment). It is a collection of C functions and a few C++ classes that implement some popular Image Processing and Computer Vision algorithms. OpenCV means Intel® Open Source Computer Vision Library. OpenCV is an image processing library created by Intel and later supported by Willow Garage and now maintained by Itseez. In this post we will see How to Install OpenCV in Ubuntu for C/C++ There’s a reason we’ve never seen that film. So surely they deserve to be captured and memorialized in a film that does them justice. They are, along with the Beatles and the Stones, one of the three seminal groups in the history of rock ‘n’ roll. The narrative includes the larger social forces at play, as well as the individual lives of various group members, and the ways they clashed with families and societies still stuck in a distinctly 1950s mindset, of white-picket-fence American “normalcy” at any cost.For years, I’ve been longing for someone to make a documentary about the Velvet Underground. Interviews with surviving band members help set the scene for the various 1960s cultures, subcultures, and countercultures that would eventually give rise to The Velvet Underground, Nico, and the Factory collective. The film is front-loaded with these experimental flourishes, which make for a fascinating and inviting introduction before things finally slow down and take a slightly more conventional form. It like Haynes and cinematographer Ed Lachman were searching - much as The Velvet Underground and their collaborators once did - for hidden meaning within the fabric of their chosen medium. When its subjects begin to wax poetic about the band’s experiments with acoustic hums, these enveloping sounds are complemented by magnified flaws in the film grain, which consume the entire screen. It’s a story told in fragments, and through aesthetic fragmentation. It’s as if they ask not only what binds each image to the other, but what drove the band’s key elements apart. Once Rothko’s paintings are planted firmly in our minds, the little gaps and black bars separating each archival image become just as inviting as the pictures themselves. The screen always features two (or more) pictures or bits of footage at once, each divided into uneven rectangles, with one usually overpowering the others and anchoring the visual narrative (for instance, the aforementioned close up of Cale). However, one of his sunset-tinted canvases lingers on screen, as if to invite deeper and more complex readings of the film’s own segmented appearance. Rothko’s work - instantly recognizable for its warm, segmented rectangles - makes an appearance early on, while various talking heads are setting the stage. His work was a vital part of the New York arts scene that would eventually pave the way for The Velvet Underground, but it also forms the visual inspiration for the documentary itself. While the film eventually goes on to chronicle the group’s involvement with various artistic innovators (chief among them, Andy Warhol), the first artist it evokes isn’t generally considered one of their contemporaries: Latvian abstract expressionist painter Mark Rothko. A high-contrast close up of a young John Cale ends up being put to particularly good use the shadow enveloping half his face feels like it extends to other parts of the screen once the accompanying images fade to black, as if the darker elements of his past were consuming his entire story. Black-and-white close ups of band members, both living and dead, play on loop in slow motion on one unevenly divided side of the screen, while photographs, concert footage, and other relevant images appear alongside each face in impressionistic patterns. While there may not be enough of this footage to cut together an entire movie, Haynes and his editors, Affonso Gonçalves and Adam Kurnitz, make ingenious use of what they have at their disposal. Much of the story is told through old film reels shot contemporaneously, which provide an intimate first-hand look at where the band came to be (fittingly, New York’s underground music scene, which was then in its infancy), along with occasional context for how it came to be as well. However, this is less a matter of intentional exclusion, and more because of its stylistic approach it isn’t as concerned with illuminating facts as it is with orienting you within a specific time and place, even though it sometimes struggles to follow through on this idea.ĭirected by Todd Haynes (Carol and I’m Not There), the film is functionally a retrospective featuring the band’s surviving members, but its interview segments are often treated as window dressing to help set the mood - at least at first. While it strings together a narrative about the band’s history, its story is largely impenetrable to anyone not already familiar with the group. A documentary that’s as off-beat and avant-garde as its subjects, The Velvet Underground is rife with jagged, experimental sounds, archival footage, and dreamlike imagery. Im sorry to say, I can not provide that test, as I dont own Goi 4.2 I admit it would be a good test, Vitamin kid n3X versus Goi 4.2 Learning strength: 0% (top LEFT : no learning in live games) Influence: 100% (top RIGHT: learning only when building) Variety: 40% (not critical: 30% - 40% is acceptable) Moves: 0-70 (not critical: 60 - 80 is acceptable) Version = n3X (*) n3X = minor tunes within 'n3v' (D43,C54)Ĭonfiguration of CTG book within Fritz GUI or similar: Vitamin kid n3X (April 7th) or previous one: + Vitamin kid n3r is version of February + Good to see you can also test 3-4 minutes, thumbs up Top-rated Playchess players can give me their games in change of my book for free, if they also make challenge between my book and other top opponent books and write the results on chess forums (positive or negative, I don't care) I could even pay them. Also I am searching someone top rated as a grand master to review my book on forums around the Internet, I can pay him/her, write me here. To get the book: Īdmins of THIS forum can get the books totally for free, just write me a private message. Goi 4.2 ctg version versus Cerebellum light 180318 (on same CFish): The settings of the Goi 4.2 ctg book were: Tournament book: unticked, Minimum games: 0, Variety of play: 10, Influence of learn value: 100, Learning strength: 500.Īdditional note by tacos40: "Timing Control: minimum 3-4 minutes, the more, the better be sure CPU is below 80%, also RAM below 80%, so quality of games is acceptable.", so I've limited the threads to 4 per engine, disabled Permanent Brain, used only 512 MB of hash table (on an amount of 26 GB of disposable RAM) and raised the time to 3 minutes.Ĭonclusion: The difference of time is unrelevant, as far as the resources are THE SAME, plus using more variety of play means castrating your book's strength: it will also play lines with less score instead of the main one, leading to an inferior position. The settings of the Vitamin kid book were: Tournament book: unticked, Minimum games: 0, Moves: 80, Variety of play: 33, Influence of learn value: 100, Learning strength: 0. Goi 4.2 ctg version versus Vitamin kid n3r 260218 (on same CFish): Goi 4.2 bin version versus Medulla 150318 bin (on same CFish): The settings of the CTG book were: Tournament book: unticked, Minimum games: 0, Variety of play: 10, Influence of learn value: 100, Learning strength: 500. Goi 4.2 bin version versus Medulla 150318 ctg Competition Edition (on same CFish): The settings of the CTG book were: Tournament book: unticked, Minimum games: 0, Moves: 80, Variety of play: 33, Influence of learn value: 100, Learning strength: 0, as adviced by tacos40. Goi 4.2 bin version versus Vitamin kid n3r 260218 (on same CFish):ĭownload here the games in multiple archives (PGN and Chessbase). Supported engines: Komodo, Houdini, Brainfish, CFish, asmFish, Raubfisch, Toltec, SugaR XPrO. In average you will reach 30-40 moves from the start (that is 60-80 plies). Built using only Stockfish 9, CFish and asmFish on very powerful high-end rented servers, Goi 4.2 contains 9135882 opening positions, from the very beginning until sometimes the ending of the game. PGA Tour LiveĮarly TV coverage: 1-3 p.m. Patrick Cantlay, Xander Schauffele, Cameron Young, Collin Morikawa, Viktor Hovland and Sungjae Im all come to the Wells Fargo Championship with eyes on capturing their first victories of the season.Īll times Eastern streaming start times approximated Round 4 - Sunday Justin Thomas has raised a trophy on these very grounds, albeit one of larger magnitude with his 2017 PGA Championship victory, while his good friend Jordan Spieth makes just his third start at Quail Hollow. The Northern Irishman is not alone with his comfort around Quail Hollow Rickie Fowler and Max Homa both claimed their first victories (over McIlroy, no less) at this venue, while a resurgent Jason Day's last triumph came at this tournament in 2018. Canon TS-E 24mm f/3.5L II Tilt-Shift Lens. For example, and two representations of the image: focused and blurred. To achieve this, element-wise multiplication is done with masks of hyperbolic tangents vertically. As the lens moves, the image plane moves too, so that the sensor records different areas of the total image. Tilt shifting consists of blurring the boundaries for selective focus, often producing miniature effect. With the Shift knob, you can move the lens up and down or side to side on the body of the camera. It was here that McIlroy claimed his first ever victory on the PGA Tour with a sizzling final round 62. See B&Hs vast selection of Tilt-Shift Lenses from top brands like Venus Optics. Shift The tilt effect alters the focal plane of the image, but the shift effect alters an image’s perspective. Three times a winner at Quail Hollow Club, McIlroy has fond memories outside the Queen City. After withdrawing from the 2023 RBC Heritage, the four-time major champion aims to get right at a place with which he is all too familiar. Rory McIlroy will make his first start since missing the cut at the 2023 Masters. 3 is set to reappear from an extended absence. While Jon Rahm and Scottie Scheffler, the top two players in the world, will not be making the trip to Charlotte, North Carolina, the world No. If adjusted, then approach can be used for various purposes e.g classic fixed camera like Resident Evil, Syberia, Dyno Crisis and more. No custom material, just existing camera tunes. So what if there was less in an EQ? Meet Tiltshift: superior tone-shaping, for anything from mixing to mastering.For its first designated event in a two-week stretch, the PGA Tour welcomes some of the biggest names in the game to Quail Hollow Club for the 2023 Wells Fargo Championship. Quick and Easy Tilt-Shift Effect that shines with Top-Down games. Stunning Tilt-Shift Photos 50 Beautiful Examples Of Tilt-Shift Photography 41 Amazing Tilt-shift miniature faking photographs Tilt-Shift Videos Gizmodo: Amazing Tilt-Shift Time-Lapse Videos Gizmodo: Tilt-Shift Video Makes Demolition Derby Look Even Sillier Photoshop Tutorials Fake model photography Tilt-Shift Photography Photoshop Tutorial. “More is more” also means more complication, more signal mangling, more phase distortion, CPU-usage, etc., and less productive mixing or mastering, less musicality and creativity. While we do appreciate a full-fledged multiband EQ when it’s needed, oftentimes, they’re not the best tool for the job. More bands, more peaks, more valleys, more parameters to learn, and more metering to focus on. The guiding principle of EQ plugins often seems to be: more is more. Tiltshift’s frequency response for three tilt settings with a wide range Also, if you you have already unlocked the mage tower appearance for your class, now you'll have enough time to get an awesome mount for completing all the different 7 challenges. Now you can try bosses without thinking that the timewalking event week is coming to an end. The removal of time limits should please players, as it makes it much easier to get a lot of achievements related to the Mage Tower. You will still be able to get the mage tower appearances you want, including the Druids Werebear form. Now all challenges and appearance rewards are available at any time for any character. The list of available rewards has remained the same and has not changed since patch 9.1.5. Yes! Blizzard recently announced that the Mage Tower is back permanently. Continue reading and discover how to do Mage Tower challenge, plus what CakeBoost can do to help! Can I Still Complete the Mage Tower Challenge? Fortunately, CakeBoost’s WoW Carry Services can ensure that your adventurers shall not miss out on anything. Early feedback suggests considerably tougher fights than before. Now, as the premier Legion Timewalking event of the 9.1.5 update begins, this opportunity has reappeared, bringing novel twists together with extra prizes. Players could complete those scenarios to acquire exclusive cosmetics. WoW Mage Tower Challenge is back! If you find yourself wondering what is the Mage Tower challenge, it is a collection of solo class-based encounters that first appeared temporarily during WoW Legion. I know others have explained already the great free curriculum Sphero has available. This amazing tool has transformed the way my students look at programming, and has quickly become the #1 item on all their Christmas lists! Thanks again! Reply I also started “Club Code” where my 4th graders voluntarily give up their recess to program, and again Sphero is the star. Every student will have a chance to use Sphero, which is the coolest thing to see. This week all 540 of my K-6 students are participating in our first Hour of Code, and Sphero has become the official mascot. My ultimate goal is to have a class set, but with limited funds, I will need to take it one at a time. I immediately saw the value of having the students get the instant feedback from a physical object they programmed, but also the limitations of only having one. I got so hooked that I found Sphero in a search and bought my own to share with the students. I recently spent a week long project with my 4th graders learning about programming, something I hadn’t done personally since I was their age (25 years earlier). Thanks so much for the tips on using Sphero in the classroom. As with our Lego sets, the kids tend to imagine much greater possibilities when unfettered by our expectations, and engagement levels are never better. I envision students having brainstorming times where they plot, sketch, and plan things that such a robot could do, problems it could solve. I am interested in the outcomes of taking a hands-off approach, beyond the basic introduction/activities. The coding seems appropriate for young students, the device itself is fun and exciting (and free of parts that break off/get lost!), and it looks like a potentially great tool for engaging our students in STEM. I am interested in the use of the Sphero as a means of getting our younger students hooked. We have looked at several possibilities, including Bee Bots and MakeDo, which is being given a trial run at one elementary, courtesy of a grant received. Our need now is to grab their attention even earlier, as so many of our interestests, tendencies, etc. Many of our parents have expressed to me their gratitude, telling me things like, “I always wanted my kids to have this kind of experience, but I had no idea how to make it happen.” What I want more than anything here is for Seguin, Texas, students to have aspirations that aren’t limited by their life experiences, and giving them these types of opportunities early is critical to expanding the possibilities they envision. We have a very low socio-economic population here, and the response has been extremely positive. Here in Seguin, we are just starting our experience with robotics this year, and we hold free summer camps and have a club at each campus for our 4th through 8th grades. You can usually find her laughing with her students or digging into a book. Twitter is her favorite place to share and she loves to make homemade sourdough bread and cinnamon rolls and enjoys running half marathons with her sisters. If you talk to Vicki for very long, she will encourage you to "Relate to Educate" or "innovate like a turtle" or to be "a remarkable teacher." She loves to talk to teachers who love their students and are trying to do their best. She is passionate about helping every child find purpose, passion, and meaning in life with a lifelong commitment to the joy and responsibility of learning. Vicki has spoken around the world to inspire and help teachers reach their students. Vicki has been teaching since 2002 and blogging since 2005. The goal of her work is to provide actionable, encouraging, relevant ideas for teachers that are grounded in the truth and shared with love. Vicki focuses on what unites us - a quest for truly remarkable life-changing teaching and learning. She hosts the 10 Minute Teacher Podcast which interviews teachers around the world about remarkable classroom practices to inspire and help teachers. She is Mom of three, wife of one, and loves talking about the wise, transformational use of technology for teaching and doing good in the world. Vicki Davis is a full-time classroom teacher and IT Director in Georgia, USA. The mashing together of Desmond’s obsession with caring for his patients with an increasingly doom-laden fate of his own mind drives the story on, ensuring there’s an emotional core to the spookiness that manages to avoid getting too mawkish. It doesn’t offer much in the way of surprises, but has all the hallmarks of a satisfying potboiler with a visually interesting supernatural twist. Unearthing the conspiracy behind the mysterious drug and how it impacted these lives is genuinely compelling. It’s perhaps the most intense and visually stimulating encounter of all. The shadow is a gangly humanoid mess of metal, radio parts, and a sniper rifle for a head, that stalks the forests of Milton Haven. He came back looking for answers, and ended up dead like the rest. A radioman during a war, he endured a nightmarish tour after being exposed to a drug on the battlefield that caused him to see unbelievable things. My favorite though is a former soldier’s shadow. Another patient’s anger issues create a grim biomechanical creature called ‘The Bull’ that dwarves Desmond. As such her shame and anxiety shapes her shadow ‘The Watcher’, an ethereal gorgon. The first, for instance, is a former beauty pageant contestant horribly scarred by a tragic accident as a child. These ‘shadows’ bring each patient’s trauma to life as boss fights. The way each patient manifests in their world is another fascinating aspect. I enjoyed the game anyway, but I can’t deny the soundtrack had a big helping hand in my feelings about it. Tasked with creating the soundtrack here, he sets the bar high with a crunchy melodic rock theme song in ‘Here Comes a Saviour’ and never drops below that with instrumentals and vocal collaborations alike. From dreary hallways in a dilapidated building to the oversaturated glow of a memory of a Beach town, In Sound Mind utilizes its concept to create something of a tightly connected anthology where the central thread of Milton Haven’s unusual plight is strengthened by its individual tales of ordinary people and their troubles.Ī good soundtrack goes a long way in my book to sweetening me on a game, and this is a game that delivers in that department thanks to The Living Tombstone, who found fame on YouTube with songs about the likes of Five Nights at Freddy’s. It certainly helps that each tape location feels distinct from the last visually. The puzzles especially benefit from constant chopping and changing of styles, and tend to be the right level of challenge as well. In Sound Mind ’s gentle switching up of such things makes for a more engaging experience. It may not seem like much, but I’ve played too many first-person horror games that keep their formula largely one-note throughout. The cycle for each tape follows the same broad patterns of investigation, monster-avoidance, and puzzle-solving, but We Create Stuff ensures that any repetition is chopped up, mixed up, and seasoned differently each time. The world twists and contorts the vague outlines of places once remembered, giving thematic clues as to what went on in these people’s lives, and births monsters specific to them as well. This search for answers isn’t keen to stay in the realms of reality for long, however, and things begin to get weird as the documented memories of the patients begin to seep into Desmond’s world, offering up a variety of nightmarish scenarios for him to contend with as he seeks to discover the truth behind their collective demise.ĭesmond’s mind isn’t in the best of ways thanks to the invasive, manipulative presence of Agent Rainbow, a fedora-wearing red-eyed ghoul that’s out to permanently take residence in Desmond’s brain, Rainbow loves to toy with his host, being both a help and a hindrance to the investigations.ĭesmond’s troubled brain causes each patient’s tape to transport his psyche to a hellscape that is shaped by that victim’s personal trauma. The game’s plot sees you as Desmond Wales, a psychologist investigating the deaths of his patients from the town of Milton Haven, who had all been exposed to a mysterious chemical. While In Sound Mind trades in some familiar horror beats, it manages to find its own groove.ĭeveloper We Create Stuff previously sharpened its horror teeth on the popular Half-Life 2 mod Nightmare House 2, and there’s some obvious heritage from that title bleeding through to In Sound Mind, but here it feels a lot more like a developer trying to expand on what it knows with an increasingly surreal voyage through a troubled psyche in order to solve a greater mystery. “ On this World Meteorological Day, let us recognize the value of early warnings and early action as critical tools to reduce disaster risk and support climate adaptation.”Ī view of Seoul in South Korea. “We must boost the power of prediction for everyone and build their capacity to act,” said the Secretary-General. Meanwhile, increasing moisture in the atmosphere is leading to extreme rainfall and deadly flooding, while ocean warming is fuelling more powerful tropical storms and rising sea levels. “In Africa, it is even worse: 60 per cent of people lack coverage.” Better forecastingĬlimate change has become a more stark reality in all parts of the world, leading to increasingly extreme weather, including intense heatwaves, droughts and forest fires. He said it was unacceptable that one-third of the world’s people – living mainly in least developed countries (LDCs) and small island developing States (SIDS) – are still not covered by early warning systems. The most recent report of the Intergovernmental Panel on Climate Change ( IPCC) details the ongoing suffering, as “each increment of global heating” further increases the “frequency and intensity of extreme weather events,” warned Mr Guterres. “That includes the information that allows us to anticipate storms, heatwaves, floods and droughts.” ‘Unacceptable’ inequity Spotlighting early warning and early action, he underscored: “ We must invest equally in adaptation and resilience.” The agency will lead the effort and present an action plan in November at this year’s UN climate conference ( COP 27) in Egypt. (MyPythonEnv) C:\Users\zhaosong>pip install Numpyĭownloading numpy-1.21.2-cp38-cp38-win_amd64.whl (14.0 MB)
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